As indicated in our previous post, we at DS Visual Art have listened to you our customers. We now have added Portrait pricing as well as pricing for a variety of mediums for our gallery photographs. Head over to www.dsvisualart.com today to check them out and as always thanks for your feedback.
As times change so must businesses. In the past DS Visual Art has not offered digital images files. There were a number of reasons for this decision. However, after heavy consideration of feedback received from our customers we have decided to begin offering digital image files with each of our packages.
This change is our way of meeting the needs of our customers. We appreciate the feedback and are always looking for the best way to serve you.
I’d like to start this post by saying “Thank You” to my wife and business partner Sharon for her constant support on this photography adventure. It was because of her that we’ve established a studio location which affords us the opportunity to make full use of our light equipment without having to continually drag it out.
With the onset of colder weather here in Colorado my desire to be outside shooting is very low, having a studio location has been a huge benefit. Recently I was looking for photography ideas and stumbled upon an article about photographing smoke.
Having done this type of shoot in the past I thought it might be fun to revisit this subject. There were a couple of things that I identified during the planning of this shoot.
1. Would like to use a “safe” source for the smoke.
- 2. Want to reduce strong smell created by smoke
In the past I had used incense as a smoke source. While this is a relatively safe source, the odor from incense can be very pungent and takes a long time to dissipate. I also considered using a candle, but this poses many of the same issues as incense. It was looking like I might be forced to use one of these two sources when it dawned on me that Sharon has an essential oils mister. SCORE!
Now that I had a safe source for smoke (or mist) in this case it was time to set up the lights. For this shot I used two lights (one on each side) with matching stripbox light modifiers and grids against a solid black backdrop.
So why did I chose to light this using side lighting? The primary reason was to retain definition in the smoke. Had this image been lit using a light straight on from the front it would have flattened the mist losing detail.
Another issue with front lighting is minimizing light from falling on the backdrop. This is where the grids on the stripboxes help limit where the falls, as you can see from the small strips of light on each side of the mister. Without the grids the light would have wrapped around the front edge.
Now that I had the image it was time for post processing. In order to make the image more dramatic I decided convert the base image to B&W and add some color to the mist. The great thing about the process used to add color in Photoshop is I could change it to any color that I wanted. This gave me an idea of combining three copies of the one image and using different colors. Here is my “patriotic” edition.
Sharon and I have been asked in the past about how to reduce light hotspots or reflections when doing product photography. Not only does this lighting setup provide a very dramatic effect it can be extremely useful for product photography.
Using the same setup as above I decided to do some test shots of my guitar. Moving the lights slightly closer to the camera but still parallel to the subject I was able to achieve good front lighting without creating any harsh reflections.
This image perfectly demonstrates my previous point about side-lighting for product photography. The finish on the guitar is very glossy which if lit from the front would have produced reflections of any light source which would could be distracting.
As you’re already aware I’m a big fan of using external lights for photography, both indoor and outdoor. That being said I would like to encourage you, the reader, to experiment with different lighting angles.
If you have any questions regarding the equipment or techniques used please feel free to contact me. I hope you’ve enjoyed this article.
When Sharon and I decided to establish an online presence for DS Visual Art the initial thought was to provide a “Fine Art” gallery showcasing select prints on museum quality mediums. After several conversations and much introspection we came to the conclusion that we wanted to offer so much more to our customers.
While we continue to showcase a wide selection of photographs that are available for purchase on higher end mediums such as giclee canvas, premium papers and metals we’re now offering lower cost materials as well. In addition to that we’re expanding our services to include Senior Portraits, Families, Children, Commercial and Event Photography
You might be asking yourself “Why the change?” That’s a great question and one that deserves an honest answer. Regardless of the subject we have a strong passion for providing people with the highest quality images that they can proudly display in their home, office or any other location. Being creative spirits the thought of limiting our photography to a single area seems too confining.
With the ever increasing number of “photographers” in the market these days how does our approach to portrait photography differ? One of the primary differences is lighting. Lighting is just as important for an outdoor location shoot as it is in the studio. Certainly outdoors there is a huge light source called the sun but it is a challenge to control without the assistance of lights.
Most photographers will rely solely on the sun to light their subject. Others will use handheld reflectors to either block the sun or redirect light. While these are both options, Sharon and I feel that in order to provide the most pleasing light it requires studio lighting with the appropriate light modifiers (e.g. beauty dish, soft box, grids, etc.)
Let’s take a look at a few examples to help demonstrate the difference.
It’s clear that this image was taken outside with no lighting or reflector other than the sun lighting the right side of her face.
While the shadowing on her face certainly lends itself to adding depth, notice how the lack of light on her face makes her eyes look very shallow.
Another issue with this photo is that there is almost too much contrast in lighting between the right and left sides of her face. This is where a reflector would have helped balance out the lighting. Now let’s take a look at a photograph using studio lighting.
As with the previous photograph this photo was taken outdoors but a light with a soft box was used for the main light and the sun as a back light.
Placing the subjects with their back to the sun eliminated any squinting due to bright light while providing a beautiful rim light. Notice how the subtle lighting on Mike’s green shirt helps provide separation from the grass in the background.
You’ll also notice that while there is some shadowing on their face to provide depth the lighting is more evenly distributed providing a more pleasant look. Another thing you’ll notice is how the light helps eliminate unwanted shadows.
In the first image I talked about how the lack of light made the subject’s eyes look shallow or vacant. Let’s look at a another photo to show how lighting helps in this area.
Let me begin saying this is not how I would normally have cropped this image, but in order to help demonstrate my point it’s cropped in very close.
As you can see from the background this was an outdoor shoot in a very shaded area. There are two things I would like to draw your attention to.
- First notice how nicely lit the boy’s face is. Now look at his eyes. Those little bright spots are called “catch lights”. Notice how much these little bursts of light bring life to his eyes as opposed to the first image with no light?
- Rest assured, when you hire DS Visual Art we will use every tool at our disposal to capture that “heirloom” quality image. After all it’s your complete satisfaction that we are striving for.
- We invite you to visit our newly added portrait gallery along with all of our galleries at our website.
- In closing Sharon and I would like to say “Thank you” for reading more about DS Visual Art. We hope that we’ll have the opportunity to assist with your photography needs in the near future.
- Best regards,
- Sharon and Doug
Such an amazing adventure for Doug and I as we enter into our true calling of fine art photography. We are very excited to share this graceful turning point with all of our new and lifelong encouraging supporters.
Doug and I have been “fighting” our truest desire to open up a formal Fine Art Gallery for some time. We humbly owe this grand opening to the supportive words of many of our friends and family for the last 25 years. As a matter of fact we entertained renting studio real estate in Sonoma, California, Old Colorado City, Colorado and Santa Fe, New Mexico on several occasions.
We finally decided that our approach needed to be much further reaching by developing a “virtual” gallery that can be enjoyed in the comfort of your own home by anyone who owns a computer or smart phone. It comes to you from our hearts and hope that each piece displayed tells a story and creates an emotion for all of our followers. We continue to be blessed with “everything” we need to be successful to include abundant experience, equipment, talent, and never ending passion for digitally mastered fine art.
We hope that you enjoy the “live” site as it evolves. We also hope to inspire other likeminded photographers going forward with blogging, showcasing, mentoring and coaching programs. We are learning much about the e-commerce business and continue to polish our photography skills from things as small as the flowers in the garden to our international travels and adventures. We both agree that when it’s time to shut out the lights it would be a shame to have ignored this calling.
Blessings to all,
Sharon and Doug